The Curator’s Project has launched its debut soft exhibition, “Humanizing Art: Part One – The Introduction”, a bold initiative aimed at reimagining how African art is perceived and experienced. Far beyond a typical art showcase, the project represents a cultural recalibration—one that prioritizes the humanity of African artists over imposed narratives.

Founded by cultural curator Atinuke Akinyanbola, The Curator’s Project operates as a creative ecosystem rather than a conventional gallery. Built on values of honesty, autonomy, and community, it seeks to humanize art by highlighting the artist’s full identity—beyond struggle, stereotypes, or market expectations.

“We believe art is an extension of the artist’s humanity—not just their culture or pain, but their full, unfiltered self,” Akinyanbola said. “This project is about dismantling the boxes African artists have been put in and creating space for honest, expansive expression.”

The exhibition introduces audiences to a curated lineup of emerging African artists whose works explore themes of identity, vulnerability, and self-expression. Each piece offers more than visual appeal—it acts as a personal testament to the human experience.

Rejecting tokenism and Western-centric market pressures, The Curator’s Project places authenticity at its core. It not only provides a platform for visibility but fosters genuine connection through mentorship, collaborative growth, and intentional community building.

“Art isn’t just to be admired,” Akinyanbola added. “It’s to be felt, created, and shared.”

As the first of a multi-part series, “Humanizing Art: Part One” marks the beginning of a movement that aims to position African artists at the center of global art conversations—where they are not just included, but truly seen and heard.